CONGRATULATIONS to the winner of the 2020 Sudden Writing Prize, Raphail Spartalis!
The prize was co-judged by AAWP and Voiceworks, and the judges noted:
‘Little Apocalypse’ by Raphail Spartalis takes the image of children exploring rockpools, and inspects it at a scale and perspective that makes it strange. The imagery and tone in the piece are impressively memorably rendered—a tranquillity viscerally interrupted.
But like all writing, there are multiple readings, which makes this creation even more deeply interesting. Analogous perhaps; metaphorical. Perceptively fluid.
What we both agree on is that this is a piece we will think about in the future, observing the small chaoses our bodies create with a penetrating oddness.
CONGRATULATIONS also to our shortlisted authors (in alphabetical order): Amelia Bussing, Dominique Byrne, Grace Cassidy, Natasha Durney-Steel, Isabella Garrido, Jessica Hudson, Christina Tungate, Arun Wilfred Sam Than, Lorelei Williams.
You can read the winning piece right now, up on the Express Media website, here.
Across the ages, critics and poets have made pronouncements about the role and function of poetry in the world. Plato banished poetry from the ideal society, though was open to its value if defenders could prove it; Coleridge said that poetry is for ‘pleasure, not truth’. Auden said that ‘poetry makes nothing happen’; Anne Carson says that a poem ‘is an action of the mind captured on a page’. Alison Whittaker says that poetry can be a ‘great tool for organising and for mobilising people’.
What is poetry now? What purposes does it serve, and for whom? How are poets harnessing poetry’s power globally to address urgent contemporary issues? How is poetry experienced and received among different communities of readers and listeners? And what are the new frontiers for poetry? How does it intersect with other domains, and what are the fruits of these intersections? What are its emerging contexts? How will poetry function in the future?
This special issue of TEXT seeks to publish scholarly papers and poetry that investigate poetry’s evolving place in the contemporary moment. Papers and poetry are encouraged to explore, but are not limited to the following:
Poetry and activism
Poetry and aesthetics
Poetry and ageing
Poetry and the body
Poetry and collaboration
Poetry and community
Poetry as confession
Poetry as conversation
Poetry and design
Poetry and ecologies
Poetry and elders
Poetry and the environment
Poetry as experiment
Poetry and genre
Poetry and humour
Poetry and identity
Poetry as instruction
Poetry as manifesto
Poetry and medicine
Poetry and memory
Poetry and music
Poetry and the non-human
Poetry and older Australians
Poetry and politics
Poetry as protest
Poetry and practice
Poetry as process
Poetry in public spaces
Poetry as record/history
Poetry as research
Poetry and science
Poetry and technology
The role of the poet
Poetry as witness
Poetry and writing lives
Scholarly papers should be between 5,000 and 6,000 words, including references. Up to three poems and/or one poetry sequence of any length per poet, will be considered. Please note, all poetry submissions must be accompanied by an ERA research statement that clearly explains the submission’s aims and significance.
How to submit your Expression of Interest:
Please submit a 250 word Expression of Interest for scholarly essays (by email to Jessica Wilkinson: firstname.lastname@example.org with ‘Poetry Now EOI’ as the subject line. In your EOI please outline how your paper or poems explore(s) the theme of ‘Poetry Now’. Also, make sure you include the following information: your full name, institutional affiliation (if any), email address, title of paper/poem, brief biography (50–100 words), and 3 to 5 keywords (at least two of which should clearly relate to the issue’s title). Deadline: October 31st2020.
Poetry submissions should be sent in full, accompanied by an ERA research statement, by February 28th2021.
Dear members and friends of the Australasian Association of Writing Programs (AAWP),
The AAWP is developing a list of recent publications by members of the association in recognition of our work as writers and scholars.
This initiative was inspired by the entirely excellent Dr Stephanie Green and the 2020 conference team at Griffith University, who have been considering best practice for conference book sales in the face of Covid-19.
The AAWP Committee of Management has decided to support this initiative by facilitating member book sales via the AAWP website as an ongoing venture.
We see this is a way of supporting our (ace) members as well as commemorating twenty-five years of successful advocacy by AAWP for creative writing in Australian higher education.
We invite you to send a list of your major creative and scholarly works, published since 2012.
We invite you to contribute to a Special Issue of TEXT, to be released alongside the standard issue, in April—The in/completeness of human experience. The Special Issue will consist of AAWP members’ creative responses to the current health crisis and its impacts—it is an opportunity for us to come together as writers.
See the Prizes page for full details in a letter from AAWP President Julia Prendergast.